Let‘s approach her by wrapping up – as C Noica once said at Ipotesti.
The oils of Daniela Caraman all represents something of a kind,
they don’t have to be decoded (we have the virus of decoding),
we hardly visualize a kind of horse on juxtaposed greys, then a kind of cot (see Bandac!)
exceedingly gathered, rather a sort of chromatic explosion than a real one,
a discreet division of the picture in four parts, slightly asymmetric, a kind of lake where a kind of trees are mirroring –
sometimes a kind of mountains, x-rayed here and there- or it is just how they emerged, volcanic!
Here it is for example: a vase, a grey, a red-cherry or a coral simple vase on a simple background particularly
with balanced lights and shadows. Next, it is a presumed atelier, a torso, a mouth or maybe a trunk.
And then, in a very expressive imaginative trinity the black is focalizing the ochre,
the grey and the plain blue without frills.
Valentin Cosereanu, Ipotesti 2006